Showing posts with label Vuillard. Show all posts
Showing posts with label Vuillard. Show all posts

10.06.2012

ANOTHER FANTASTIC ART MUSEUM VISIT

In previous posts I have written about the fantastic art museums I've visited throughout America's Midwest. Earlier this year, we were greatly disappointed that we didn't visit Canada, but our visit to the Toledo Art Museum certainly didn't disappoint.  

We visited the museum on a Wednesday morning, arriving exactly when it opened.  What a special treat to be practically the only visitor in the whole museum!  It was like I had the whole museum to myself.  And what a museum!  The Toledo Art Museum has one of the best permanent collections I've seen.

Just a bit of history about the Toledo Art Museum:  The museum was founded in 1901 by Edward Drummond Libbey (yes, of the Libbey Glass Company).  Throughout their lives both Edward Libbey and his wife, Florence Scott Libbey, donated both land to build the current building and funds for its upkeep.  Many times Edward Libbey pledged money for the museum on the condition that the citizens of Toledo would donate the same amount; each time the public fundraising was successful.  Edward Libbey died in 1925, but bequeathed $1,000,000 to the museum in his will. Several years later Florence Libbey sold most of her husband's assets in order to fund building additions to the museum. This monetary gift allowed 2,500 men to be employed during the middle of the Great Depression. Thanks to the benevolence of the Libbey's (many of the paintings in the museum were purchased through the Libbey Endowment) and the continued support of the museum members, the Toledo Art is FREE to the public.

Nearly all of the works that I'm posting were purchased with funds from the Libbey Endowment  Now, this way to view some masterpieces! 

















As usual I'll start with the Impressionists:

Two exquisite works by Claude Monet:

Water Lilies (1922-1925) by Claude Monet
Between 1914 and 1925 Claude Monet completed more than 60 paintings of his water garden, capturing the light conditions at different times of day and in different weather conditions.

Antibes Seen from La Salis (1888) by Claude Monet

Just as Vincent van Gogh and Pierre Bonnard loved the light of the south of France, so did Claude Monet as shown in this view of the coastal town of Antibes.

Avenue at Chantilly (1888) by Paul Cézanne 



































The Glade (1890) by Paul Cézanne









































Often called the "Father of Modern Art" Paul Cézanne had a direct influence on two of the 20th century's most prolific artists: his color theories influenced Henri Matisse and his geometric structure of space helped Pablo Picasso develop Cubism.

The Green Jardinière (1882) by Pierre Auguste Renoir










































Road at Wargemont (1879) by Pierre Auguste Renoir






























Both of these painting by Renoir feature jewel-like colors and wonderful brushwork.  The young woman in the top painting is Aline Charigot, a seamstress who frequently modeled for Renoir.  She would eventually become his wife. The landscape painting below was painted while Renoir was a guest at an estate in northern France.

In the Garden at Maurecourt (1884) by Berthe Morisot

If you have been following this blog, you know that Berthe Morisot is one of my favorite painters.  I was thrilled when I saw this painting in the museum's collection.  The painting is set in the garden of the country home of Morisot's sister, Edma.  The young girl in the foreground is probably Morisot's daughter, Julie.

Peasants Resting (1881) by Camille Pissarro
The Roofs of Old Rouen, Gray Weather (1896) by Camille Pissarro
Still Life (1867) by Camille Pissarro
An innovator in his techniques, Pissarro was a central figure of the Impressionist painters. He was an influence to many Post-Impressionists painters especially Cézanne and Gauguin.

Antonin Proust (1880) by Édouard Manet
Édouard Manet was a groundbreaking Realist painter whose style was much admired by a group of young painters eventually known as the Impressionists.

Flowers and Fruit (1866) by Henri Fantin-Latour
Henri Fantin-Latour was famous for his still-life paintings.  He became renown for his precise rendering of nature.  For example, look at the exquisite detailing in the orange segments in the close-up in the bottom photo.

La Salle Clarac (1922) by Édouard Vuillard
This painting is one of four paintings of interior scenes set in some of Édouard Vuillard's favorite galleries of the Louvre, painted on commission for a private home in Switzerland.

The Camp Santo, Venice (1842) by J. M. W. Turner
This is the first painting I've posted by the British master J. M. W. Turner. Turner is perhaps the most famous English Romantic landscape artist and his work is regarded as a Romantic preface to Impressionism.

View of the Riva degli Schiavoni, Venice (1730s) by Canaletto
Christ and the Centurian (1575-1580) by Veronese
Both Canaletto and Veronese were one of the leading painters living in Venice during their respective lifetimes.

The Toledo Art Museum has such a superb permanent collection that I want to divide my posts.  In the next post I'm going to show you my favorite Dutch paintings.

For more information visit: http://www.toledomuseum.org/.

Toledo Art Museum
2445 Monroe Street
Toledo, OH   43620
Phone: 419.255.6000

For directions: click here.
  • Admission is FREE every day for all visitors.
  • There may be a charge for special exhibitions.
  • Closed Mondays.
  • Closed January 1, July 4, Thanksgiving, Christmas Day.
  • Open 10:00-4:00 on Tuesday-Thursday.
  • Open 10:00-10:00 on Friday.
  • Open 10:00-6:00 on Saturday.
  • Open 12:00-6:00 on Sunday.
NOTE: All photos of the paintings in this blog post were taken by me on my visit to the Toledo Art Museum in May, 2012.

2.09.2012

ART IN MY TOWN

I've written several posts about the world-class museums I've been fortunate to visit in my travels in Europe, but you know what?  I've got a world-class art museum right in my own backyard!  The Art Institute of Chicago.

The Art Institute of Chicago has one of the most renowned collections of paintings in the world.  But it's not just the collection inside the building that is famous.  The building that houses the collection is just as famous.  The exterior of the Art Institute is one of the most photographed buildings in Chicago, and the two huge lions that greet visitors at the entrance attract as much attention today as they did more than a century ago. 

They get decorated with wreaths every Christmas...























And they get into the spirit of special sports occasions such as when the Blackhawks won the Stanley Cup Championship in 2010.























But of course, it's the art collection everyone comes to see when they visit the museum.  Some of my most favorite paintings are part of its permanent collection:

Young Girl with Hat (1892) by Berthe Morisot



This is my absolute favorite painting in any museum, and Berthe Morisot is my favorite painter.  She was a rare female French Impressionist, painting at the same time as her colleagues Monet, Degas, Sisley, Renoir and Édouard Manet with whom she was romantically involved.  However, she married Eugene Manet, Édouard's brother.  Other excellent works by her are:

The Garden (1882) by Berthe Morisot






































Woman at her Toilette (1875) by Berthe Morisot
























One of the last visits I made to the museum I discovered this masterpiece which I had not seen on display previously:

Auvers, Panoramic View (1873/1875) by Paul Cézanne




Édouard Vuillard is one of my favorite painters.  The Art Institute has several wonderful examples of his work:

Annette Roussel with a Broken Chair (1900) by Édouard Vuillard



Vuillard's Room at the Château des Clayes (1932) by Édouard Vuillard

Madame Arthur Fontaine in a Pink Shawl (1904) by Édouard Vuillard

Woman seated on a Sofa (1906) by Édouard Vuillard





Vuillard was a member of a post-Impressionist group called The Nabis, a group of painters whose works I enjoy.  Nabi means prophet in Hebrew and in Arabic. The rebellious group of young student artists came together in the fall of 1888, and like many of the Impressionists and post-Impressionists, they were inspired by the broad planes of unmediated color, thick outlines, and bold patterns. Another fantastic example is:

The White Tablecloth (1926) by Pierre Bonnard



Another group of Post-Impressionist painters I like are the Fauvists (fauve means wild beast in French) also because of their use of bright, intense colors.  Excellent examples (such vivid colors!) in the Art Institute collection include:
   
Antwerp (1906) by Georges Braque


Landscape at L'Estaque (1906) by Georges Braque


Another one of my favorite paintings is by the Dutch painter, Piet Mondrian.  There is just something about the symmetry with the simple horizontal and vertical lines and colors and reflection in this painting that I find mesmerizing.

Farm near Duivendrecht (1916) by Piet Mondrain


Continuing on the Dutch theme and remembering my recent trip to the Netherlands, on my most recent visit to the Art Institute, I sought out any Dutch Masters paintings in the collection.  Jan Steen was one of the original 17th century Dutch Golden Age painters. He was known for painting scenes of daily life.  Many of the scenes he portrayed are lively to the point of chaos, so much so that a Jan Steen household, meaning a messy scene, became a Dutch proverb.

The Family Concert (1666) by Jan Steen



You can't speak about Dutch painters without mentioning Rembrandt. Throughout his career, Rembrandt painted powerful studies of single figures, conveying character through dramatic costume and lighting.

Old Man with a Gold Chain (1631) by Rembrandt Harmensz van Rijn


The museum has dozens of wonderful etchings by Rembrandt.  This print exemplifies the popular depiction of the Passion of Christ which often combined multiple part of the New Testament story into one overwhelming scene:

Christ Before Pilate: Large Plate (1636) by Rembrandt Harmensz van Rijn


Jan Uytenbogaert, “The Goldweigher” (1639) by Rembrandt Harmensz van Rijn

Other painters discovered on my recent Netherlands/Belgium trip were the Flemish masters, one painter being Hans Memling.  Imagine my delight in finding this diptych in the Art Institute collection.  Separated for many years, the two images were reunited in 1953.  Fortunately, the image on the left is still in wonderful condition, even after 525 years!  Unfortunately, the original matching image on the right side is in poor condition.  The image shown here on the right side is actually the back side of the original painting, Portrait of a Man in Prayer.

Virgin and Child (1485) by Hans Memling
St. Anthony of Padua (1485) by Hans Memling




Photo of the original diptych showing Portrait of a Man in Prayer.






And of course, there are the German Expressionist paintings, my love of which I wrote about in my last post.  There are some excellent German Expressionist paintings in the Art Institute's permanent collection.

Despite being raised in a country that discouraged women from careers in art, Gabriele Münter became a founding member of one of the most influential early 20th-century modernist movements: German expressionism.  In 1911 Gabriele Münter, along with Franz Marc and her lover, Wassily Kandinsky, founded the Der Blaue Reiter group, an important expressionist organization.

Still Life with Queen (1912) by Gabriele Münter



The Bewitched Mill (1913) by Franz Marc


Red-Haired Girl (1919) by Emil Nolde

Speaking of color:  You can't forget this artist:

Interior at Nice (1919 or 1920) by Henri Matisse

Women before an Aquarium (1921-1923) by Henri Matisse
 

These are just a few of my favorite paintings located in the Art Institute of Chicago.  All photos in this post were taken by me at various visits to the museum.
 
In my next post I'll continue showing many more of my favorite paintings from several different genres.
  • Admission for adults is $18.00**
  • Admission for Students and Seniors is $12.00
  • The museum is closed Thanksgiving, Christmas, and New Year’s days.
  • Open Monday, Tuesday, Wednesday 10:30-5:00.
  • Open Thursday 10:30-8:00.
  • Open Friday, Saturday, Sunday 10:30-5:00.
  • Free Family Wednesdays: Admission to the Art Institute of Chicago is free to Illinois residents the first and second Wednesday of every month.
** Chicago residents receive a $2 discount on admission in recognition of the significant support given to the museum through local property taxes. A valid photo ID with a resident address is required.

For more information, visit: http://www.artic.edu